They have also carved out significant design careers individually, with Kee well-known for her vibrant knits, and Jackson for her collaborative work with artists such as the women producing batiks at Utopia Station. He made two versions of this image; the Gallery has the key (black) and colour blocks for another version that is slightly larger in size, which has a few small differences in the image. AGNSW collection Eveline Syme Sydney tram line 1936, Eveline Syme studied art in Paris in the early 1920s, including at Andre Lhotes school in Montparnasse, where she learnt the principles of cubism. Jael and Sisera by Artemisia Gentileschi, 1620, via Christie's During her lifetime, the Italian painter Artemisia Gentileschi was one of the most important Baroque painters of her time. Not only did she receive commissions from European nobility, but her studio became a stop on the Grand Tour an educational trip for aristocrats. the contribution of women to the applied arts, and training and professionalism in 19th and 20th century Europe, Russia, North America and Australasia. When the text again changed to contemporary English in the top section, Agatha Gothe-Snape led the reading, the other two voices coming after, phasing in and out, overlapping, as all three wound around the work, increasing their walking pace in concert with the sharply narrowing conical form. Celebrating her subjects, Cumbrae Stewart delighted in the acts of their dressing and undressing. The National Art School acknowledges the Gadigal peoples of the Eora nations, the traditional owners on whose lands, water and skies we meet and share. Milking Practice with Artificial Udders 1940 Evelyn Mary Dunbar (1906-1960) IWM (Imperial War Museums) Today. The resulting posters spoke to a range of womens and broader issues including Aboriginal land rights and environmentalism. TEQSA: PRV12036. She studied under the tutelage of a number of. Donated through the Australian Government's Cultural Gifts Program, Mira Gojak, Transfer station 1, 2011, Purchased 2021, Lesley Dumbrell, Foehn, 1975, Purchased 1976, Virginia Cuppaidge, Lyon, 1972, Gift of the artist 2012, Gemma Smith, Cusp, 2019, Courtesy of Gemma Smith and Sarah Cottier Gallery, Sydney, Mary Webb, Joie de vivre, 1958, Collection: Art Gallery of New South Wales, Sydney. Entries include biographical information, a list of principle . Her works were characterised by strong, rhythmic design and sharp graphic contrasts of black and white. Feint first exhibited woodcuts and wood engravings while a student of Thea Proctor in the late 1920s. Dwyer grew up visiting the site and has had a long engagement with its ghosts. Here is a close-up of the centre piece, Kookaburras (1923), by Margaret Preston. What female artist is best known for painting flowers?. Barbara Campbells Dubious letter (1992)60 metres of hand-embroidered ribbon tacked together to form a skirt-shaped objectwas suspended from the high ceilings in the Remembering gallery, centred to eye level, with generous space all around. In Scenes on the death of nature, Ferran used the camera to explore the pleasure and ethics of looking. Credits: Text and images taken from the exhibition at the Ballarat Art Gallery and interspersed with my own comments. This distinctively Australia subject was inspired by vegetation on the artists uncles farm, Woodenup, in the Kojunup region of Western Australia. Joanne Greenbaum AGNSW collection Ethel Spowers Wet afternoon 1929-1930. Julie Rrap also explored the roles assigned to women in art in her series Persona and shadow. Her voice remained suspended in air, like the embroidered object itself. This is one of only four wood engravings made by Spowers in London between 1929 and 1932. Posted 18 Apr 2018 18 Apr 2018 Wed 18 Apr 2018 at 7:23am , updated . Dorrit Black briefly studied in Adelaide before moving to Sydney in 1915. general entryticket today. It was largely women artists who first championed modernism and abstraction in Australia in the early twentieth century. 20th-century Australian art: Modern impressions Share Print this set By the Art Gallery of NSW Printmaking has been an important and respected art form in Australia since the late 19th century, with painters such as Tom Roberts and Julian Ashton making etchings as a small, but significant, part of their practice. AGNSW collection Ailsa Lee Brown Sydney trams 1927, AGNSW collection Ailsa Lee Brown Work for the new bridge 1937, AGNSW collection Ailsa Lee Brown Dressmakers 1937, AGNSW collection Adrian Feint The goddess and the aspidistra 1934. Recently working at the palest ends of the spectrum, Smith has collaborated with the curators of this exhibition, selecting colours for the walls that delicately shift from room to room, appearing and disappearing like a scent. Leonora Carrington (British-Mexican, 1917-2011) An artist and novelist known for her surrealist work, Leonora Carrington was born in the United Kingdom and studied painting at the Chelsea School of. Lyrebird was made before he left Sydney for Europe and reveals the influence of Japanese ukiyo-e woodblock prints in its elegant design, compressed picture plane and colouring. Told in two parts, this exhibition tells a new story of Australian art. Jo Lloyd, Archive the Archive, 2020, Photographer: Peter Rosetzky. The dark shadows cast by the curbside palm fronds in this graphically rhythmical print evoke the unforgiving light of a Sydney summer. Portfolio; About; Collections; Artists; Exhibitions; Female Nude Hip Out Pencil on paper 11 x 14 in (27.94 x 35.56 cm) Frank J Bette; Inquire Purchase Share facebook; twitter; linkedin; email; . australian female painters of the 20th century. Some of the most famous female painters of the 20th century are Georgia O'Keefe, Frida Kahlo, Kara Walker, and Marina Abramovic. Sann Mestrom, Me & you, 2018, Purchased 2019. He was a lifelong supporter of modernism in Australia through his work as an artist and critic. One of the first women to paint still life studies, her paintings were popular. Unique to the women who make them, shell necklaces by Lola Greeno and her daughters and nieces connect generations of women. This engineering marvel was fascinating to many of her contemporaries, who saw in it the embodiment of modern industrial progress. Ailsa Lee Brown (The new bridge) 1935-1936. William Dobell - Art Quotes - Australian portrait painter and Archibald Prize winner . Music is among Dorrit Blacks most dynamic compositions. Brown abandoned linocuts in favour of wood engravings in 1936, making several in the late 1930s. Intrpide: Australian women artists in early twentieth century France is a curious book about a very well-known phenomenon - the influx of Australian artists travelling, studying and living in . Sidney Nolan The National Gallery of Australia acknowledges the Ngunnawal and Ngambri peoples, the traditional custodians of the Canberra region, and recognises their continuous connection to culture, communityandCountry. Artemisia Gentileschi (1593-1656) The Italian Baroque painter was born in Rome, the daughter of Tuscan. Using art encyclopedias and museum websites, it has curated a list of women who have influenced the art world in a number of ways. Connections to land and Ancestors are embodied in paintings by Waanyi artist Judy Watson, Kayardild/Kaiadilt artist Mirdidingkingathi Juwarnda Sally Gabori and Gija Elder Queenie McKenzie. The sculpture depicted is a bronze Shiva - a Hindu god, rather than the goddess of the title. Here we see Nude Study (1932) by Adelaide Perry . This selection of works from the Gallerys collection of modern Australian prints reveals a number of common threads: the aesthetics of the Japanese ukiyo-e woodblock print, the teachings of British printmaker Claude Flight, and the graphic traditions of Europe. Women were originally denied from attending life drawing classes at art schools. Tania Ferrier, Shark bra and pants, 1988, Collection: Art Gallery of Western Australia, Perth. In 1913, age 20, he had his first individual exhibition, showing 90 drawings. Framed photograph of Sue Ford and Micky Allan, framed photograph of Micky Allans 1978 performance exhibition Photography, Drawing, Poetry: A Live-in Show, books and objects all loaned from Micky Allan as part of the installation Mickys Room 2020-2021. Elise Blumann, Summer nude, 1939, Collection: University of Western Australia, Perth. A prodigious artist, she left 560 paintings after her death at the age of only 31. This drawing for the linocut Kirribilli (The little steamer) is notable because the image appears in the same orientation as the final print. Amy Sherald is a modern artist that is widely considered to be among the most iconic Black female artists in American history. Portraying her home Alhalkere with plants like atnwelarr (pencil yam) in bloom, her work attracted great attention, and she represented Australia posthumously at the Venice Biennale in 1997. Boyd's work varies from impressionist landscapes of Australia to harsh expressionist figuration, with many pieces including both. Most famous women artists of all time Photograph: Galleria degli Uffizi, Florence 1. She was among a small group of artists instrumental in promoting the modern colour linocut in Australia in the 1930s, having studied the medium in Europe. Judith Leyster (1609 - 1660) Self-Portrait by Judith Leyster. Australian Female Painter. June 14, 2022; can you shoot someone stealing your car in florida . Paula Modersohn-Becker (1876-1907) Blazing talent also drew the young Paula Modersohn-Becker to Paris in the winter of 1899-1900. While its size and monochromatic appearance contrasts with her linocuts of the same period, it shares something of their emphasis on repetition, dynamic movement and simplified form. Memory, and the act of remembering, inform each of the works in this space. . Tjanpi Desert Weavers is an award-winning, Indigenous governed and directed social enterprise located on the Ngaanyatjarra Pitjantjatjara and Yankunytjatjara (NPY) lands in Central Australia. Working side by side, the women artists drew on their experience and cultural knowledge to create seven woven figures representing the sisters and a large woven form with small lights above, referencing the Pleiades star cluster. Her favorite themes were empty landscapes, portraits and still lifes. The Ann Lee collection. They embraced their new freedoms and it translated into a unique, fresh artistic style. The performance involved Campbell unravelling an embroidered skirt from a great height. In addition to childcare services and respite from domestic violence, dedicated womens spaces, including the South Sydney Womens Centre, offered screen-printing classes. Image: Fiona Foley,Who are these strangers and where are they going? What dance did she not get to do?, Jo Lloyd, Archive the archive, 2020, Photographer: Peter Rosetzky, Images courtesy of Jo Lloyd. Review. Gemma Smith in Part One of Know My Name: Australian Women Artists 1900 to Now. Looking at moments in which women created new forms of art and cultural commentary such as feminism, Know My Name highlights creative and intellectual relationships between artists across time. Anne Ferran, Scenes on the death of nature IV (detail), 1986, KODAK (Australasia) PTY LTD Fund 1987; Purchased 2019. Email Animals were a popular subject and many women often depicted Australian fauna in ink drawings or linocuts or woodcuts. Palmer exhibited her first prints in 1933 at the Society of Arts and Crafts in Sydney, and continued to experiment with techniques throughout the decade. Colour was key, and its formal and emotional qualities were used to create art that favoured idea and feeling above literal depiction. AGNSW collection Dorrit Black Black boys post 1938. The only woman in The London Group, her educated and refined paintings and prints are often based on children's folktales. Purchased 2011. But first some more from Jane about Australian Women Artists. Anna Johanna Maria "Annita" van Iersel (born 5 October 1948), known as Annita Keating from 1975 to 1998, is a Dutch-born . Thank you for joining our community and we do hope you enjoy our art blog. See more ideas about australian art, australian artists, female artists. Woman in Restaurant, 1934 William Dobell (Australian,1899-1970) Photographing a group of young women whose poses echo the forms of classical sculpture, Ferran considers the ways in which historical and contemporary images have positioned women as passive objects and sensual subjects. Despite the originality of her art, Cullen is now little known, having died prematurely at the age of 25 in the mid-1970s. The combination of meditative states and expressive gestures underpins Lindys Lees wall sculpture, The unconditioned. In the early twentieth century, artists including Agnes Goodsir and Bessie Davidson found support outside of Australia, particularly in France, where they were able to live in creative communities, free from expectations of marriage and other heterosexual norms. A pioneer of community-based art in Australia, Vivienne Binns made Tower of Babel with colleagues, friends and family members whom she described as her personal community of influence, respect and care. She transformed the gallery into a domestic setting, installing her photographs, drawings, paintings, and poetry. Photo: Peter Morgan. 9. AGNSW collection Ethleen Palmer Burnt out 1952, AGNSW collection Ethleen Palmer The house with the orange door 1949, AGNSW collection Ethleen Palmer The burnt hill 1940, AGNSW collection Adelaide Perry The Bridge, October 1929 1930. Event Produc, We are open ALL WEEKEND! Kathy Temin, Pavilion garden, 2012, Purchased 2017. The people in this delightful print become one mass as they huddle together in driving rain under the domes of sheltering umbrellas. The 2021 Redux began in similar fashion to the 1992 original: with the opening section of William Byrds Mass for four parts sung live by a solo soprano voice. In transferring the image to the linoblock for cutting, the artist would have needed to reverse the image, perhaps through the use of a transitional drawing, now lost. Diamond rings are generally sized depending on the length of their diameters. After 20 years, she took up . This is a rare industrial subject for the artist; her focus is on the construction workers and their equipment, the print displaying her command of modernist design principles in the utilisation of compositional devices such as strong diagonals, and hatching to create volume and tone. Rosemary Laing, flight research #2a, #2b, #3, #4, #8 19992000; bulletproofglass #2, #3, 2002, Courtesy of Rosemary Laing; Tolarno Galleries, Melbourne; Stephen Grant and Bridget Pirrie; and Anthony Medich. She studied figure drawing and, at age 23, began to focus exclusively on art. Jenny Christmann, 20 woollen books (detail), 197778, Gift of the Philip Morris Arts Grant 1982. Made by women members of the Hampson family, their lively quilt reflects the nature of their lives at the turn of the last century. Kathy Temins memorial gardens challenge the idea of monuments as heroic sculptures cast in steel. Purchased with funds provided by the MCA Foundation, 2015. Disclaimer. This positioning allowed for a circular reading of the works embroidered text by any member of the public: Dubious letter created its own tacit participatory performance. The Frugal Meal (circa 1936) by Hilda Rix Nichols, captures very simple food, at a time when even bread and fruit was often in short supply or families had limited funds. Become a Partner, Website Copyright Works by Thea Proctor, Margaret Preston and Grace Cossington-Smith were dotted around the exhibition and we will take a close look at these three artists tomorrow. AGNSW collection Ethel Spowers The plough 1929. Pioneers such as the 19th century Heidelberg School protested and finally by the early 20th century it became acceptable to incorporate realistic naked figures in their works. Best remembered for his elegant and witty montages of domestic objects and flowers in quasi-surreal still-life paintings, Adrian Feint was also a designer, printmaker and illustrator, creating covers for Art in Australia and The Home magazines and an important body of bookplates. Flamingo Park (fashion house), Linda Jackson (designer), Jenny Kee (designer), Universal Opal Oz outfit, 1984, Purchased 1985. The book is both a celebration of 10 colonial women artists who became botanical artists in the 19th and 20th centuries - and their artwork. Subscribe here to get the latest news events and exhibitions from National Art School. (Australian, born 1952) Boatshed Interior Hobson Bay. Kathy Temin, Pavilion garden, 2012, Purchased 2017, Kathy Temin, Tombstone garden, 2012, Purchased 2012, Marie Hagerty, deposition (detail), 2012, Purchased 2013, Lindy Lee, The Unconditioned (detail), 2020, Courtesy of Lindy Lee and Sullivan+Strumpf, Sydney. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. The colours and nasturtiums add a vibrancy and softness. https://nga.gov.au/, Partners & Patrons Jessica Clark is an independent curator with a background in art history and art education. The print echoes the self-consciously tasteful imagery of Proctors eclectic still-life compositions, although it was made several years after Feint and Proctor quarrelled and may be a barbed commentary on her work, rather than a respectful homage. Marie Hagerty, deposition, 2012, Purchased 2013. Spowers first colour prints were made in the Japanese manner, brushing ink on the block so it printed with a painterly texture. The Australian Flower Paintings of Ferdinand Bauer was published in 1976. . Perhaps the most prominent Australian female artist of the early 1900's, Margaret Preston is regarded as one of Australia's leading Modernists. She held her first solo exhibition in Sydney at the Macquarie Galleries, exhibiting works that declared the cubist-inspired aesthetics she had developed while overseas. AGNSW collection Weaver Hawkins Mother and child 1928, AGNSW collection Nora Heysen Pines, The Cedars, Hahndorf 1932, AGNSW collection Ethleen Palmer Study for 'Burnt out circa 1952, AGNSW collection Ethleen Palmer Granite peaks 1938. Bonhams Fine Art Auctioneers and Valuers: auctioneers of art, pictures, collectables and motor cars . Installation view: Gemma Smith's Threshold (walls). Carol Jerrems, selected works from A book about Australian women 197374, Published by Outback Press, Narrm/Melbourne, 1974 , selected works from the Gift of Mrs Joy Jerrems 1981; Gift of the Philip Morris Arts Grant 1982. Lets explore the history of the period and some of the female artists that made their mark. Paul Haefliger arrived in Sydney as a teenager with his family and studied at the Julian Ashton Art School in the 1930s, before travelling to London where he studied with British modernist painters Bernard Meninsky and Mark Gertler. As a result, they played a key role in introducing concepts such as Post-Impressionism, Abstraction and Modernism to Australian audiences. Other self-portraits show women following their creative paths with conviction in defiance of the considerable difficulties they faced to become recognised as artists. Black also exhibited this print under the title Reconstructions, Wynyard Square, which explains the diagonal crane form in the centre of the image. Nor was satire, as you can see here in Unk Whites ink on paper The Stage Manager told me I looked good enough to eat! (1934) which would not be acceptable in todays society. Jane. During the early decades of the 20th century, women were becoming more visible in the arts in Australia than ever before. It was at Flights Grosvenor School that Weitzel extended his printmaking into multiple block colour prints, including this work and its companion Abstract design 2. And Socialism only strengthened gender . Share by Email, Copyright 2020 NAS | Website by Symbiosys. Rosa Bonheur (1822-1899) "The Highland Shepherd," by Rosa Bonheur, 1859. Activating memory through the body is implicit in Barbara Campbells Dubious letter, which was used in a performance work called Cries from the tower. During the early decades of the 20th century, women were becoming more visible in the arts in Australia than ever before. In the list below, the top priced work is shown for each of the 12 bestselling women artists. Sann Mestrom, Me & you (detail), 2018, Purchased 2019. Their artistic styles, ideologies and use of medium . 7 min read. Vote for Your Favourite Artists Of The 20th Century 1 Table of Contents hide 1. The face shows fine detail, accentuated by the bold brush strokes of the background. Archive the archive is inspired by the life and work of Philippa Cullen, a performance artist, dancer and choreographer who sought to generate sound through the movement of the body using theremin and early electronica. CRICOS: 03197B She began making colour linocuts in 1927, taught by her friend and contemporary Ethel Spowers. Expressionist Painters FAUVES (1905-1907) Henri Matisse (1869-1954) Founder of Fauvism and the leading colourist in modern art. While her work has been contested, with some criticising her use of a male style, others admired her pioneering expression of desire and love between women. She has remarked: colour and its interactions have become the content of my work. . Self-Portrait Nude with Amber Necklace 1906, oil on cardboard by Paula Modersohn-Becker (1876-1907) List Gallery Activity 1. Installation view: Barbara Campbell: Cries from the tower redux, Soprano singer Hannah Bleby performing Cries from the tower redux, Barbara Campbell and Clare Grant performing Cries from the tower redux, Barbara Campbell, Dubious letter from the performance Cries from the tower, 1992, Purchased 1995, Barbara Campbell, Clare Grant and Agatha Gothe-Snape performing Cries from the tower redux, Del Kathryn Barton, the infinite adjustment of the throatand then, a smile (detail), 2019, Courtesy of Del Kathryn Barton and Roslyn Oxley9, Sydney, Barbara Campbell performing Cries from the tower redux, View of the audience watching Cries from the tower redux, Kathy Temin, Pavilion garden (detail), 2012, Purchased 2017, Kathy Temin, Tombstone garden (detail), 2012, Purchased 2012, Barbara Campbell, Clare Grant and Agatha Gothe-Snape following their performance of Cries from the tower redux, Book your free In 2010 Australian designers Cami James and Nadia Napreychikov established DI$COUNT UNIVER$E and began creating fashion informed by social, political and feminist ideas. During March 2020, as the heat rose and the wind rolled over the sand dunes on NPY Country, Tjanpi Desert Weavers artists came together to create their most ambitious collaborative work to date, Kungkarangkalpa (Seven Sisters). Purchased with funds provided by the Coe and Mordant families 2008, Nell, selfnature is subtle and mysterious nun.sex.monk.rock, 2010, Purchased 2021, Bess Norriss Tait, Coralie, 190710, Collection: National Gallery of Victoria, Melbourne. She was official court painter for the Grand Duke Ferdinando II. Acquisition through Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art supported by BHP 2018, Judy Watson, Waanyi people, canyon, Purchased 2003. AGNSW collection Ethel Spowers Special edition 1936, AGNSW collection Ethel Spowers Resting models 1934, AGNSW collection Frank Weitzel Abstract design 2 circa 1932, AGNSW collection Frank Weitzel Abstract design 1 circa 1932. While softer in tone, Clarice Becketts work looked at phenomena such as the flare of colour at sunrise and sunset. Upon her return to Australia, Spowers acted as Claude Flights agent and, with Dorrit Black and Eveline Syme, promoted his work and teachings through a number of exhibitions, especially in Melbourne. Becoming Modern, which I was lucky enough to see at the Ballarat Art Gallery in July, 2019, is a celebration of the tenacity and innovation of Australian women artists. Gertrude Abercrombie, Coming Home, 1947, private collection. Saturday and Sunday 11am-5pm. Although this movement exposed widespread gender discrimination, it was also criticised for primarily advancing the voices of white, cisgender women (who are assigned female at birth and identify as women). The only face visible is that of a downcast child, her red glove a counterpoint to the red stripes of her companions umbrella. Micky Allans first solo exhibition Photography, drawing, poetry: A live-in show was held at the Ewing and George Paton Galleries in Melbourne in 1978. The Australian: 25 female artists you should know Article by Oscar Adcock NAS alumnae Julie Rrap, Fiona Foley, Fiona Hall, Margaret Olley and lecturer Grace Crowley are featured in this article. The development of this collection coincided with the escalation of the Me Too movement, a global response to the harassment of women. Bequest of the artist 1980; Painting, 1951, Purchased 1969; Abstract painting, 1947, Purchased 1959; Abstract painting, 1952, Purchased 1976, Mira Gojak, Transfer station 1 (detail), 2011, Purchased 2021. Black boys is the common name for the Xanthorrhoea genus of grasstree. Campbell had embroidered Letter III three timesin 16th century French, 16th century Scots and contemporary Englishusing historiographic documents. The following year she travelled to Europe, studying with Andre Lhote in Paris and later with cubist painter Albert Gleizes, before returning to Sydney in 1929. 2. A lesser-known artist who worked earlier in the century, Janet Cumbrae Stewarts paintings adopted the language of the academic nude. Championed by some of her most famous contemporaries, including Edgar Degas and Pierre-Auguste Renoir, Valadon was no minor artist, and one of the few women painters of the era to receive. The term "Australian Modern Painting" is a most imprecise description, but it suffices to describe 20th century modern art in Australia up to about 1960, an era which opens with the end of Australian Impressionism (c.1886-1900) - also known as the Heidelberg School - and whose end coincides with the high-point of the career of the great . The vibrant patchwork of materials in this work including lamps, stockings, fabric and beer bottles forms an oversized cubbyhouse that evokes a childlike sense of wonder and discovery and a means of escape. Womens portraits and self-portraits reflect different stories and artistic connections. Bequest of the artist 1951, Grace Cossington Smith, The Bridge in building, 1929, Gift of Ellen Waugh 2005, Dorrit Black, The bridge, 1930, Collection: Art Gallery of South Australia, Adelaide. Arthur Merric Bloomfield Boyd (24 July 1920 - 24 April 1999) was a prominent Australian painter of the mid-to-late twentieth century. World Without End: Photography and the 20th Century. With more than 150 artists profiled, the Know My Name book celebrates art by women from across Australia. Esme Timbery, Bidjigal people, Shellworked slippers, 2008, Collection: Museum of Contemporary Art Australia, Sydney. Vivienne Binns with collaborators Daphne Anderson, John Abery, Genara Banzon, Lionel Bawden, Ray Beckett, Peter Binns, Beverley Bisset, Elsie Brown, Mike Brown, Erica Burgess, Norma Cairns, Eugene Carchesio, Cheo Chai-Hiang, Virginia Coventry, Rebecca Cummins, Mandhira De Saram, Bryan Doherty, Kate Dugdale, Lois Eastwood, Helen Eager, Bonita Ely, Nola Farman, Ruth Frost, Akira Fujishita, Kunio Fukushima, Tamio Fukushima, Mez Gates, Laurel Grey, Christopher Hodges, Pat Hoffie, Tess Horwitz, Kyomi Ititani, Hiroo Itoh, Josephine Knight, Shoichi Kogure, Steven Holland, Marie Howard, Wayne Hutchins, Narelle Jubelin, Therese Kenyon, Leonie Lane, Lila McLain, Marie McMahon, Seiko Machida, Irene Maher, Maria-Luisa Marino, David Martin, Eichi Matsuda, Jean Nixon, Rod OBrien, Valerie Odewahn, Pat Parker, Elwyn Perkins, Gregory Pryor, Emily Purser, Neil Roberts, Catherine Rogers, Shigeyoshi Satoh, Dalia Shelef, Muriel Smith, Jane Stewart, Osami Tominaga, Peter Tully, Ruth Waller, Meg Walsh, Paul Westbury, Anthea Williams, Alice Whish, Tower of Babel, 1989 continuing, Gift of the artist 2020.
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