greg leisz lap steel tuning

I have to go back pretty far. Leisz has been a top-call session musician in the L.A. area for many years, so its no wonder he got the call to do work on this production with such fantastic artists. That was amazing. Im fully vaccinated, have been for some time. I heard this, and could not get that steel guitar sound out of my head. Thats a little odd. Brian didnt think that was a great idea. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright . And it was a cool thing to get to do that. I didnt really expect any sort of a follow-up. For decades, the Southern California-based multi-instrumentalist has been a go-to guitarist and pedal steel player for musicians such as Eric Clapton, Buddy Miller, John Mayer, Bill Frisell, k.d. His idea was to have her do this thing with Civil Wars where they sang together. anyone know? In a successful session and side-man career that's spanned over 40 years, the diversity of music Greg's played on is pretty incredible. ------------------Livin' in the Past and the Future with a 12 string Mooney Universal tuning. 6.9K views 1 year ago On this Greg Leisz interview, how playing with artists like Dave Alvin, k.d. In 1989, he played on k.d. Theres nothing like the beautiful sound of harmonized sixths played on the pedal steel tabs that display the major scale harmonized in sixths. The lap steel guitar, also known as a Hawaiian guitar, is a type of steel guitar without pedals that is typically played with the instrument in a horizontal position across the performer's lap.Unlike the usual manner of playing a traditional acoustic guitar, in which the performer's fingertips press the strings against frets, the pitch of a steel guitar is changed by pressing a polished steel . On pedals,he plays both necks very well and he told me he's been playing a U-12 Sierra on the Bill Frisell gig.On lap,he plays a number of tunings and seems to come up with nice stuff even if it's a tuning he just made up to suit a certain song.No slouch on standard guitar either.I've been trying to get him on the forum as he's aware his name comes up from time to time.Hey Greg - you out there? I never ended up doing anything live with him. That was the first thing I did with her. More recently, you worked with Phoebe Bridgers. While Frisells guitar playing is unique and bends genres in its own right, Leisz complements this so well. But I overdubbed. Fortunately, my mother was musical, even though she sang more opera. The sound of the guitars blew my mind. She was just like, I dont need this anymore.. He is a songwriter, recording artist, and producer. At the same time, I was heavily influenced by Bob Dylan and that type of songwriting. Ive worked with Lucinda a lot since then, and even co-produced two of the last three albums [The Ghosts of Highway 20 and Down Where the Spirit Meets the Bone] that shes made. She made one record before that, at least. your profile | join | preferences | help | search. The key to it working out was we had a couple conversations on the phone. Greg Leisz - pedal steel, lap steel, National steel guitar, Scheerhorn resonator guitar, mandolin Ron Miles - trumpet Billy Drewes - alto saxophone David Piltch - bass Kenny Wolleson - drums, percussion Curtis Fowlkes - trombone. Pearl Jam did Crazy Mary on that. We hadnt even learned many songs when we got our record deal, and Arista, Clive Davis, signed the band. At some point, I just picked up the guitar, probably around 1962 or 1963. It is in near mint condition and comes with a custom deluxe Cedar Creek hardshell case. And until the record came out, I didnt even see the producer until after I finished the session. Once I got to the point where I could hang out in bars, I used to go to country bars. I love that song too. For the next eighteen years he toured with Lang and recorded with her, including her album Ingenue. It was just four or five hours. #raylamontange. We want to hear it. I wanted to know where she wanted me to play. Victoria had already gotten a deal and made a record in New York. But Dylan called up Dave Alvin and asked him to be the opening act. Any kind of musical style or production can probably be enhanced one way or another with a touch of Leiszs pedal steel, and this track is no exception. It is always a pleasure to hear Leiszs playing. The 6 string lap steel is great for Hawaiian, blues, slide guitar licks, many country songs, dobro style riffs and can imitate a lot of what can be played on the 8, 10 and 12 string tunings. It was that tour. Its called Horizon. Its probably on Spotify now. Odelay was interesting because he was working with the Dust Brothers. He just sits up there in his golf shirt and jeans and is up there like he just walked out of his house and went down to the local bar and hes onstage playing. Long story short, we made one record. Thats probably the longest time I havent spent on a plane since I was a teenager. Great album. Adding distortion to the lap steel, Leisz gives so much personality to this Bruce Springsteen track. Log in, Steel Guitar Forum LLCPO Box 237Mount Horeb, WI 53572 USA. I was able to play a lot of different kinds of music. Feb 12, 2008. It is in near mint condition and comes with a custom deluxe Cedar Creek hardshell case. And then I started working with some musicians that were playing in some of the folk clubs in Southern California. I was doing Gloria or something. Great for diving into single note playing possibilities and runs on the tuning. I was shaking on my way to the studio. Greg Leisz - lap steel guitar & electric guitar Gary Novak - drums Written by Mai Leisz & Greg Leisz Engineered by Kevin Smith Recorded at Groove Masters Studio in Santa Monica, CA Mixed by Alan Hertz Mastered by Joe Gastwirt. produced by Lee Townsend recording and mixing engineer: Judy Clapp. He basically put the band together since he was the only person that knew everyone that ended up in it. I already knew how to play guitar by then. When we ended up playing together, it was kind of fun even though he barely remembered me. She also never really toured again after 1998. It sets the tone for the rest of the track, seguing smoothly into Alison Krausss vocals. When I look at Discogs and AllMusic, I go, I forgot about this record and that record But for me, its the breadth of the stuff that Im most proud of, not necessarily the number.. Greg Leiszs list of credits is so incredibly long and varied that its almost hard to believe its all the work of a single person. This is a gorgeous Asher Acoustic Hawaiian Teardrop Lap Steel owned and played by Greg Leisz who had been using it for recording and touring with Jackson Browne. I saw that she broke her guitar and David Crosby didnt like it. Anyway, it was great for me. Classic country shuffle styles for Band-in-a-Box, by BIAB guru Jim Baron. She was very focused, so it was great working with her. The early Eighties must have been rough then. He decided he wanted to have that instrument in that particular band for that tour. He is awesome. Honestly, though, I hardly play it as I've been really focusing on C6 (and E6). But when we got to the song My Woman Got a Black Cat Bone, he featured me in the song the whole way. This album is a seminar in playing with taste. I loved the stuff that Sneaky Pete Kleinow played on the Flying Burrito Brothers records that he did. I didnt really like service jobs. Thats someone I met many years earlier when he played in Ace in the Seventies. Playpedalsteel.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Later, I did play on a James Iha solo album [Let It Come Down] that Jim Scott produced. I was drawn to the records that I guess now we talk about as folk-rock or country-rock and I kind of got pulled into the pedal steel through that music, through hearing it on the records that I liked. Lindley's style led me to Greg Leisz, my greatest inspiration. I'm pretty new to the world of steel but I'm completely captivated by the subtle detail work Greg Leisz does on 'Bon Iver, Bon Iver.'. from $995.00 $1,773.00 Sale We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. ], Note: Messages not explicitly copyrighted are in the Public Domain. Like what? Whats more interesting to me is that much later they had me play on Western Stars. As far as chords on different frets, one of the essential techniques for playing steel (as opposed to just slide . If you think about that era, I was in the mid-Sixties conundrum generation where you had a generation gap and a draft. If someone asked me for my phone number, Id gladly give it to them and write it on a piece of paper. If youre interested in diving deeper into playing chords and scales on E9 pedal steel, check out these guides, Learn the chords on the E9 neck in a way that makes playing simple and enjoyable. I think I was working on another record at the time, a Jakob Dylan record. Rolling Stone interview series Unknown Legends features long-form conversations between senior writer Andy Greene and veteran musicians who have toured and recorded alongside icons for years, if not decades. I especially love what came out of that. She was taking parts off and replacing them. They tweaked it here and there and made that the track. I dont think the one I play on was in Pretty Woman. He said, Im maybe going to go on tour next year. He didnt introduce anyone. What sort of career did you see yourself pursuing? Thats because Ive done a lot of stuff with T Bone Burnett. Getting paid for anything is always a pain in the neck. This was her second record and she wanted to make a bunch of changes. I knew right then it was all up to me. Ultimate Bulletin Board 5.46, Our mailing address is: The band got signed very quickly because there was already a songwriter that had a couple hit songs. When she was making Car Wheels, that was really at the end stages of the record. A true gentlemen, non-pareil tasteful player and inspiring to talk to. While he was mixing, he had a conversation with her and she said, Theres a song in there called Right in Time. When we recorded it, I wanted to have a 12-string guitar go through the whole song, but they talked me out of it.. This track has such a sweet groove to it, and Leisz adds just the right ambience to float with it. I never thought of it as a career. Leisz is no stranger to rock n roll, and always has the ability to add grit and bite to songs. Tabs that display the major scale harmonized in sixthsthese pockets or positions on the fretboard are great to utilize when playing. They did a lot of interesting stuff with what I played. To me, thats really interesting to do that. Join Then you were with Joni Mitchell on Turbulent Indigo in 1994. I forget if it was directly by James Iha or the management. It didnt say who it was from. Im wondering if thats something youd ever like to do.. Being a mailman was great because you had a car and you drove around and delivered mail. She seems sweet. Thats just a huge, huge record. At first, she thought shed use Brians jazz band. He was inspired to pick up the pedal steel after hearing Sneaky Pete Kleinow and Buddy Emmons. And then he did the Jeep commercial on the Super Bowl.

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